The artist starts from the assumption that nothing new can ever be created or invented: the first, the only true artistic gesture, the one infinitely repeated in each painting, every sculpture, in every work of art , it is the first graffiti of the first man ... so it is worth accepting to undertake the influence of who has been before, absorbing the creative drive, reworking the concept through the filter of one's own eyes, their own experience, experimenting with the technique to capture them, and so infinitely, in a continuous play of mirrors and referrals.
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